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Participation: 80%-99%
Play Time: 1:30 - 2:10
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Handel
Handel Gigue Siebente Suite in g moll - HWV 432
pental
1:52 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 2 5 4 93%
Bass 19 2 2 3 76%
 
Messiah| No.09: O Thou That Tellest Good Tidings to Zion
Pete Alan
1:59 Est. Play
Time
51 Measures
1,929Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 23 0 4 5 98%
Treble 23 0 4 5 98%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 23 0 4 5 98%
Treble 23 0 4 5 98%
Violoncellos Bass 19 0 4 5 98%
Cembalo Treble 25 53 7 5 95%
Treble 22 60 3 5 95%
Fagott Bass 18 0 4 5 84%
Oboe Treble 11 0 1 6 65%
Soprano Treble 11 0 1 6 65%
Bass Bass 14 0 2 5 59%
Tenor Treble 9 0 1 6 59%
Alto Treble 10 0 2 6 57%
Alto
Soloist		 Treble 8 0 1 4 14%
 
Allegro (Fuga à 4) from Suite No 3 HWV 428
Bartók forever
1:53 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 28 0 10 9 95%
Bass 24 1 7 10 93%
 
Courante (d-Moll HWV 448 G.F. Händel) Akkordeon-Version
sven2011
1:48 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 2 5 4 100%
Bass 17 14 5 5 96%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 1 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
HWV8A1N9a - "Di goder il bel ch'adoro" (F Major for Dorinda)
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 23 19 2 6 100%
Treble 22 21 4 6 87%
Violin
1		 Treble 14 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Dorinda 11 0 2 6 77%
Contrabasses Bass 13 0 2 4 64%
Violoncellos Bass 13 0 2 4 64%
 
May Love Preside
singthewords
1:39 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
Flute Treble 13 0 2 10 94%
Soprano Treble 14 14 2 8 78%
Alto Treble 13 15 2 8 75%
 
Händel: Sonata 10, Op. I., HWV 368 Andante
hillaby
2:06 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 21 0 8 10 100%
Classical
Guitar		 Treble 27 50 11 6 90%
 
Messiah| No.46 Since By Man Came Death
Pete Alan
1:43 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 2 5 92%
Bass Bass 15 0 3 5 92%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 9 0 2 5 92%
Bass Bass 15 0 3 5 92%
Soprano Treble 12 0 3 5 92%
Tenor Treble 10 0 1 6 92%
Continuo Treble 23 36 5 4 70%
Bass 21 39 4 4 72%
Fagott,
Bassoon		 Bass 16 0 2 3 68%
Violins,
Viola		 Treble 13 0 1 3 68%
Violins,
Violin
I		 Treble 13 0 3 5 68%
Violins,
Violin
II		 Treble 13 0 2 3 68%
Violoncellos,
Cello		 Bass 16 0 2 3 68%
Oboe,
Oboe		 Treble 10 0 2 4 59%
 
HWV1A1 - Leset ihr funkelnden Augen
edward.maurath
1:51 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 15 23 4 4 86%
Bass 22 28 4 2 100%
Bassoon Continuo Bass 19 0 4 2 62%
Bass 14 1 2 2 57%
Bass
as Consalvo		 Bass 13 0 4 4 60%
Violin
1		 Treble 12 0 0 4 57%
Violin
2		 Treble 12 0 2 2 57%
Violoncello Continuoi Bass 14 1 2 2 57%
 
Hallelujah, Amen
clcworship
1:41 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 50 2 6 100%
Bass 19 11 2 7 97%
Voice Treble 11 0 0 6 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 50 2 6 100%
Bass 19 11 2 7 97%
Voice Treble 11 0 0 6 85%
 
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%